JUNE WAYNE・Art & ScienceThe Celestial WorksSpace & Time “In her My Palomar lithographs June Wayne playfully tracked the adventures of a square through interstellar space and time.” — Robert P. Conway, “A Catalogue Raisonné 1936-2006, June Wayne - The Art of Everything”, Rutgers University Press, 2007. Setsun “Ideally placed for such a quest in California, she has been stimulated by visits to the observatory at Mount Palomar, by regularly reading the scientific literature, by discussing the latest discoveries with physicists or astronauts, and by reviewing the pixels that stream to earth from unmanned space probes.” — Pat Gilmour, June Wayne The Djuna Set. Over and Out Earthscan Night Field Solstice Tiger Mean Twinight Ablaze Ablaze State II “The artist has always pursued a vision remarkably unaffected by fashion, or the prevailing styles. For despite the interest in the fourth dimension displayed by some twentieth-century artists, the modernist preoccupation with flatness has in many way discouraged the visual exploration of space-time, as did postwar American art, with the insistence on two-dimensional materiality. It is hardly surprising, therefore, that June Wayne has looked for inspiration not to her contemporaries, but to artists of other centuries who handled related problems. ” — Pat Gilmour, June Wayne The Djuna Set, Fresno Art Museum, 1988. Meridian ⟵ Back to JUNE WAYNE ∙ Art & Science Part II: The Celestial Works See also: JUNE WAYNE ∙ Art & Science: The Terrestrial Works See also: JUNE WAYNE ∙ Art & Science: The Early Works